GLAMOUR REVIEWS: Ghost in the Shell, starring Scarlett Johansson
This really shouldn't have turned out as well as it has. There's been the development hell - seven writers in as many years – the controversy of casting Scarlett Johansson in a role that should have been a cert for an Asian actress, and then the fact that the source material, a cult Japanese manga comic, might lose a lot in translation on its way to Hollywood. But here it is. A super smart action movie threaded through a dazzling, nightmarish vision of where cyber technology might take us.
Set some time in the future, Motoka Kusanagi (Johansson) wakes up to find her brain has been transplanted into a cyborg body. Well, she's livid. Who wouldn't be? But then the doctor (Juliette Binoche) explains that they saved her from drowning and that she's been given superhuman skills. Now called ‘The Major’, she leads a team of mercenaries to catch a murderous hacker.
Johansson has showed her action movie chops before – in Lucy and as the awesome Black Widow in the Marvel movies – and here she effortlessly handles bruising combat one minute before, in a still moment, conveying all the emotional conflict of someone sifting the fading memories of her past.
The design of the movie is extraordinary. Filmed in Hong Kong, the cityscapes have been transformed into a future where advertising has won and tower block-sized moving holograms of geishas and beer bottles compete for attention. Advances in technology are now just for those who can afford it. With the right download – straight to the brain – a school kid can learn a foreign language in a second. And you can drink to oblivion, safe in the knowledge you can always print out a new liver. Few sci-fi films feel so fantastical yet plausible. Artful and commercial, this should give Blade Runner 49, which comes out later this year, a run for its money.
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