Go behind the scenes of Jennifer Lawrence's American Vogue cover shoot
Jennifer Lawrence is the face of American Vogue’s September issue. In honour of its 125th anniversary issue, the magazine invites us in a mockumentary behind the scenes to reveal the making of their very special cover with interviews from VERY important people such as farm stylists and horse trainers.
For the magazine’s most coveted front page, the Oscar award winning actress dishes the dirt on what it’s like to be movie-industry royalty. Drawing on the hacking scandal as well as the insistence that she is just a ‘regular’ person, here’s five things J-Law revealed in her Vogue interview.
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Not a fan of crystals herself, Lawrence learned the hard way that you need to get an actual crystal woman (yes, that exists!) to remove crystals from your house. Jennifer revealed, “I just had all the crystals yanked out. Sold them. And then my fucking house flooded.” W-T-F.
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As well as shooting with legendary fashion photographers Bruce Weber, Annie Leibovitz and Inez and Vinoodh, the Silver Lining Playbook actress was painted “like one of those French girls” by American painter John Currin for the magazine’s 125th anniversary issue.
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Jennifer Lawrence has worked almost continuously since her teens and has only recently learned to take time off. She has two films in the pipelines, Mother! (with a slightly bizarre movie poster) directed by Lawrence’s boyfriend Darren Aronofsky and Red Sparrow by Hunger Gamesdirector Francis Lawrence (no, they are not related).
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Hailed a “woman of our time” by Anna Wintour herself, Jennifer insists she just like you and me with celeb co-stars and friend Michelle Pfeiffer and Emma Stone jumping to her defence. Can we be friends with you J-Law pls?
Although, she couldn’t care less about the video of her pole dancing at a birthday party in Vienna, she had a good time and that’s all that matters, but she is conscious, especially after the hacking situation a few years of having her privacy constantly violated. She explains, it “isn’t a problem if you’re perfect. But if you’re human, it’s terrifying.”


































































