Taylor Swift

Taylor Swift drops new music video & THIS is the Taylor we've been waiting for

The sugar-sweet country princess has finally crossed over to the dark side, says Kate Leaver
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Mert Alas & Marcus Piggot
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YouTube

The video is definitely diss-track territory: she's draped herself in black, red and leopard print and cast herself in a sexy, catchy, dramatic revenge fantasy. It's so fabulously, deliberately, satirically extra that it makes sense of the whole song.

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Instagram / Taylor Swift

Musicality aside, this is a fascinating exercise in rebranding. "The old Taylor can't come to the phone right now," she says at one point in the song, "because she's dead." Yep, this is not just a makeover, it's a TOTAL transformation. Well, I reckon it is. In that one line, she seems to promise us an entirely new Swifty. She's a sultry Phoenix, rising from the ashes of her former image.

Because we can't forget that she has been in hiding since Kim Kardashian released a 22 Snapchat exposé . The clips confirmed that Taylor did know Kanye would feature lyrics about her but confirmed Taylor's statement that she didn't know about Kanye West's lyrics "I made that b*tch famous". It's been a rather ingenius strategy, Taylor's vanishing act, because after the Tom Hiddleston affair, she seemed to recognise that she was risking over-exposure, and so ducked out of the spotlight for a while. The cracks in Taylor's previous image began to show when she stayed silent on politics at a time when, critics would argue, the world needed more voices to stand up to a US President denying women's rights.

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Mert Alas & Marcus Piggot

It would have been the undoing of any other pop star but Taylor has already been through one deliberate transition in her career: from singing country love songs, to a feminist powerhouse who switched her musical focus to female friendship, independence and empowerment. She did that with profound success, becoming one of the most beloved stars on the planet, so we can be hopeful that this time around will be just as convincing.

And of course she's not the only pop star to make a powerful comeback. Kesha has just released a darkly authentic, emotionally honest album predicated on strength and retribution. Katy Perry went dark with her shade-throwing track, Swish Swish. But perhaps the most interesting parallel to draw here is with Britney Spears. After Britney was torn apart by the paparazzi and recovered from an infamous, highly visible breakdown, she shrugged off her sexy-but-innocent image to release the song Piece Of Me. She was self-referential, angry and, by Britney standards, pretty dark. It was an act of liberation; a way to reclaim a life that had really been taken from her. And, for her, it worked because it felt real.

It will be fascinating to see if this is Taylor’s play at taking her own narrative back. I'm sure some will say it’s just another aesthetic for Taylor - swapping Stars and Stripes for snake scales. But is it actually a genuine and empowering proclamation of a woman who has been forced to change her game plan, but on her terms? We need to hear the whole album but I, for one, want her to go full-on Britney. I hope we now get to see a raw, real Taylor Swift who’s willing to acknowledge her own actions, and that she has some fabulously revenge-y, self-aware, possibly acerbic stuff planned. Maybe some specific lyrics that references the Hiddleston romance or the canceling of her July the 4th party – even the rumour that she traveled from her New York apartment in a suitcase. TELL US MORE, TAYLOR. Are we finally meeting her badass alter-ego? God I hope so.

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