Fashion Week Insider Blogs
Ever wondered what it's like to be a make-up artist or hair stylist working backstage at fashion week? We've rounded up the crème de la crème of the beauty world to bring you exclusive backstage blogs from around the globe.
GoRunwayNew York
Show: Prabal Garung A/W 2012, New York Fashion Week, make-up by M.A.C
Reporting for GLAMOUR.com: M.A.C Senior Artist Pablo Rodriguez
"The look created by the fantastic Charlotte Tilbury was all about a peacock inspired eye. The three key products used were M.A.C Pigment in Blue Brown all around the eyes and up to the eyebrows. Then a painted on diagonal stroke of blue across the eyes, done with a base of M.A.C Pro Paintstick Marine Ultra, and M.A.C eyeshadow in Deep Truth, pressed on top of it, to achieve a very opaque metallic effect. The rest of the face was kept fresh, with minimal makeup."
GoRunwayNew York
Show: Altuzarra A/W 2012, New York Fashion Week, make-up by M.A.C
Reporting for GLAMOUR.com: M.A.C Senior Artist Pablo Rodriguez
"First show of NYFW this season for me and it's the amazing Altuzarra show in New York. The focus of the look was a couture grunge inspired eyeliner. Tom Pecheux created a double decker liner, with two parallel strokes done with M.A.C Fluidline in Blacktrack. In the inner corner of the eye, a pop of colour was added using M.A.C Pigment in Blue Brown mixed with M.A.C Eyeliner Mixing Medium. The skin was kept super natural, a no-makeup look but with a matte finish. Cheeks where left bare and so were lashes or eyebrows. The look was finished off with a minimum amount of lip conditioner on the lips."
London
Show: Vauxhall Fashion Scout: Krystof Strozyna A/W 2012, using The Body Shop cruelty-free make-up
Reporting for GLAMOUR.com: Lan Nguyen, Head Make-up Artist for Vauxhall Fashion Scout
The inspiration for the Krystof Strozyna AW12 show was an Amazonian sun-kissed goddess, classic yet sexy with a modern and graphic twist. Skin was beautifully bronzed over with Baked-To-Last Bronzer in Golden Bronze (£16) and highlighted cheek bones with Eye Colour in Vanilla Cream (£8).
The Body Shop Liquid Eyeliner in black (£9) was drawn across the socket line then blended and softened with the Eye Definer in black (£8) to give the illusion of a smokey eye. The Shimmer Waves in Bronze (£16) was applied all over the eye to emphasise a golden finish. Define & Lengthen Mascara in black (£10) gave a lashes a spikey effect due to it being applied to just the tips.
Lips were naturally nude with a touch of foundation applied and blotted off followed by Colourglide™ Lip Colour in Soft Sienna (RRP £9) pressed onto lips with fingers for a light, soft stain.
London
Show: Vivienne Westwood Red Label A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Sam Hillerby for L'Oréal Professionnel
Inspiration: Slightly androgynous, Rockabilly 1920's women. Gang girls mixed with the railway children.
London
Show: Vivienne Westwood Red Label A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Sam Hillerby for L'Oréal Professionnel
...The hair was prepped through with L'Oreal Professionnel Play Ball texture tonic to give it some guts. It was also speayed with l'oreal professionnel Infinium to give some hold...
London
Show: Vivienne Westwood Red Label A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Sam Hillerby for L'Oréal Professionnel
...It was then tonged randomly with a wand to create large and small curls and brushed through to loosen to give an airy feel...
London
Show: Vivienne Westwood Red Label A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Sam Hillerby for L'Oréal Professionnel
...The hair was raked up with the fingers at the sides which gave toughness to the look, bringing the hair up on to the top of the head which gave the volume and the curls tightly pinned and ends left loose...
London
Show: Vivienne Westwood Red Label A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Sam Hillerby for L'Oréal Professionnel
... The back of the head was secured from the nape of the neck upwards and pinned into a french pleat, leaving the ends to give volume at the top. It was finally finished with a spray of L'oreal Professionnel Infinium to secure.
London
Show: Vauxhall Fashion Scout: Carlotta Barone A/W 2012, using The Body Shop cruelty-free make-up
Reporting for GLAMOUR.com: Lan Nguyen, Head Make-up Artist for Vauxhall Fashion Scout
The inspiration for the Carlotta Barone AW12 show was Sweeney Tod film-esque and gothic. Skin was matte with Extra Virgin Minerals™ Compact Foundation (£16) then set with the Pressed Face Powder (£12.50). Dark eyes were created with a base of Colourglide™ Lip Colour in Midnight Berry (£9), smudged all over the socket to the brow line with fingers then intensified with the darker shade of the Shimmer Cube Palette in Warm (£16) for a rustic look.
Eye Definer in black (£8) and Eye Colour in Soft Black (£8) were applied and smudged into the top and bottom lash line finished with a couple of coats of Super Volume Mascara in black (£10) for thick full lashes. This look works really well for the day and can be easily intensified for a night-out with more black liner and eye colour. Lips were very natural with a light application of Colourglide™ Lip Colour in Soft Sienna (£9) and a touch of Love Gloss For Lips in Clear (10) just in the centre of the lips.
London
Show: Peter Pilotto A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Luke Hersheson for L'Oreal Professionnel
Inspiration: Although the clothing is very 'lady-like' the hair embodies a modern edginess which is not too extravagant...
London
Show: Peter Pilotto A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Luke Hersheson for L'Oreal Professionnel
This look is a super-simple and paired down to complement both the ladylike dresses but also the bomber style pieces within the collection. We played with various different placements of a sleek ballerina bun, but in the end, placing it just above the bone in the centre of the back of the head gave it an element of toughness...
London
Show: Peter Pilotto A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Luke Hersheson for L'Oreal Professionnel
... Although the clothing is very 'lady-like' the hair embodies a modern edginess by the way in which it is pulled back from the face and is secured firmly and with exact precision.
The hair is initially prepped with a cocktail of L'Oreal Professionnel tecni art pli and tecni art gloss control. It is then combed back with a fine comb and tied into a ponytail. The ponytail is then straightened in sections with iron’s and smoothed using tecni art liss Control+, before being twisted tightly and wrapped into a very polished bun and secured with pins...
London
Show: Peter Pilotto A/W 2012, hair by L'Oréal Professionnel
Reporting for GLAMOUR.com: Luke Hersheson for L'Oreal Professionnel
...Finally, the hair is finished off with L'Oreal Professionnel Infinium force 4 to ensure maximum hold.
London
Show: Vauxhall Fashion Scout: Dans le Vie A/W 2012, using The Body Shop cruelty-free make-up
Reporting for GLAMOUR.com: Lan Nguyen, Head Make-up Artist for Vauxhall Fashion Scout
The inspiration for the Dans la Vie AW12 show was Cindy Lauper, an uber glamorous pop-art look with statement eyes and lips. Skin was fresh and natural with a base of Oil Free Balancing Foundation SPF 15 (£13) and a light sheen across the cheekbones using the Radiant Highlighter (£11), as well as an additional gleam from the Eye Shimmer in Silver (£9) made for fabulous contouring.
Strong eyes were created by a range of The Body Shop products, the Metallic Eye Definer in Brilliant Blue (£9) smudged across the lash line and all over the socket was followed by Colourglide™ Lip Colour in Brilliant Red (£9) for added depth. The lighter halves from the Baked-Eye-Colour in Amethyst and Sapphire (10) were layered and blended on top for greater vibrancy and metallic intensity.
Eyes were finished with Super Volume Mascara (£10) in Cobalt Blue. Lips were defined with Lip Liner in Rosy Red (£8) then deepened by the Colourglide™ Lip Colour in Starlit Copper (£9), a glamorous shine with Love Gloss For Lips in Sweet Peach (10) completed the look.
London
Show: Antipodium A/W 2012, hair sponsored by Aussie
Reporting for GLAMOUR.com: Liz Taw, Aussie ambassador
This season we created a relaxed wave at Antipodium. We embraced a ‘no comb policy’ which helped to create a youthful, confident and raw look. It was all about natural, unfussy hair so it was back to basics for us! The key to creating this look was texture and so for that we applied Aussie’s Aussome Texturising and Conditioning Gel Spray, to the mid lengths of clean hair…
London
Show: Antipodium A/W 2012, hair sponsored by Aussie
Reporting for GLAMOUR.com: Liz Taw, Aussie ambassador
…Then we plaited the hair, massaging the braid so it became wide in shape. Once the hair was completely dry the plait was released. For the finishing touches we put the hair into a rough centre parting and tucked it behind the ears to get that youthful look. Lastly we sprayed Aussome Volume and Gloss Spray to add more wave through the hair.
London
Show: Vauxhall Fashion Scout: Spijkers en Spijkers A/W 2012, using The Body Shop cruelty-free make-up
Reporting for GLAMOUR.com: Lan Nguyen, Head Make-up Artist for Vauxhall Fashion Scout
The inspiration for the Spijkers en Spijkers AW12 show was Birds of Paradise and Edith in Grey Gardens. Full coverage on the skin was created by a combination of the Oil Free Balancing Foundation SPF 15 (£13) and Extra Virgin Minerals™ Compact Foundation (£16) plus a light sheen across the cheekbones with the Radiant Highlighter (£11).
Vibrant eyes were created with the Metallic Eye Definer in Brilliant Blue (£9) smudged across the lash line and all over the socket layered with the Shimmer Cube Palette in Green (£16) and Eye Colour in Spearmint (£8) creating a beautiful multi-tonal metallic effect.
Brows were naturally defined with a rounded arch using the Brow Definer in Blonde & Auburn (£8) and then followed by softly applying powder from the Brow & Liner Kit (RRP £10) to deepen the colour, Brow & Lash Gel (£10) was swept across the brows in the opposite direction to accentuate thickness.
Lips were defined with the Lip Liner in Rosy Red (RRP £8) then deepened by the Colourglide™ Lip Colour in Starlit Copper (£9), a glamorous shine with Love Gloss For Lips in Sweet Peach (10) completed the look.
London
Show: Erdem A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
Today was my first show as a St. Tropez Skin Finishing Expert - and how lucky was I with it being ERDEM?! The architecture of the venue was unreal - a stark white gallery with white strip lighting - super modern and fresh!
London
Show: Erdem A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
... We reflected this look in the skin, ensuring that the arms and legs beamed like the lights above. We first prepped and hydrated the model's skin with our St. Tropez Body Butter. Most models have either flown in from New York, so all that time on an aeroplane has left their skin really dry - the body butter was perfect not just for a base but for a much needed injection of moisture!
London
Show: Erdem A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
...We then lathered our St. Tropez Violet Illuminator over the shins and arms to really reflect the venue and to give an iridescent sheen to carry on the texture of the garments...
London
Show: Erdem A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
...Working with Nichola Joss is just amazing - and in lineup I was practically crawling through models legs ensuring all the skin was at a perfect level of illumination. I loved being around all the fashionista's afterwards, lots of leather and fabulous bags! I can’t wait to see what Roksanda has for me tomorrow!
London
Show: Vauxhall Fashion Scout: FAD A/W 2012, using The Body Shop cruelty-free make-up
Reporting for GLAMOUR.com: Lan Nguyen, Head Make-up Artist for Vauxhall Fashion Scout
The inspiration for the FAD AW12 show was the 1980’s, plenty of gold. Skin was made dewy with a mixture of Moisture Foundation SPF15 (£13) and the Radiant Highlighter (£11), the Baked-To-Last Bronzer in Golden Bronze (£16) was applied all over the face particularly on the cheekbones for a golden sun-kissed complexion.
Brows were clearly outlined under the natural brow arch with the crayon-like pencil Concealer (£9), a great product to hide any wispy hairs, then defined with the Brow Definer in Blonde & Auburn (£8) and a soft sweep of the Brow & Liner Kit (£10) was used for a depth of colour.
A favourite technique throughout many of shows was to use lipstick on the eyes, this trick creates more depth and vibrancy to any eye-shadow blended on top! Colourglide™ Lip Colour in Starlit Copper (£9) was applied all over the eyelid layered with the light gold shade from the Shimmer Waves in Bronze (£16) followed by Eye Colour in Golden Paprika (£8), this combination emphasized the gold flexes in the lipstick and gave an overall sparkly finish.
Lashes were dressed with a couple of applications of Define & Lengthen Mascara in Black (£10) and a sweep of Eye Definer in White (£8) across the waterline giving an effect of wider and brighter eyes.
Lips were nude with a touch of golden sheen with an application of Colourglide™ Lip Colour in Starlit Copper (£9) and a touch of Love Gloss For Lips in Golden Coral (£10).
London
Show: Roksanda Ilincic A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
A 7.30am call time sounds bad, but when it’s for Roksanda Ilincic - I couldn’t complain!
We arrived and set up our station in the very spacious backstage at The Institute of Directors, Pall Mall. Although the venue was the same as previous seasons, the backstage area had changed to a very grand duck egg room - chic! Nichola Joss had her hair chopped backstage by Marc Trinder from Charles Worthington at Erdem, so she showed up looking very glam (as ever) this time with her new 'do'...
London
Show: Roksanda Ilincic A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
With the call time being so early, the models were arriving on time and everything flowed incredibly smoothly. Roksanda's collection reflected the 1940s era, with on-the-knee skirts and heavily embellished suits. Lucia Pica opted for a smoky eye and dewy skin and Marc Trinder chose to create an effortless grunge-bun - so for skin we decided to continue the trends already present in hair and make-up, but reflect the era of inspiration. A few models came on bikes from the previous shows, but hair, make-up and skin all worked in unison and managed to get them all done in no time.
London
Show: Roksanda Ilincic A/W 2012, skin by St. Tropez
Reporting for GLAMOUR.com: Jules Heptonstall, St.Tropez Skin Finishing Expert
Using St. Tropez Instant Glow Wash Off Mousse, we gave limbs an extremely slight hint of colour and base. We then recreated the 40s flush by heavily applying our St. Tropez Rose Illuminator. Just before the models hit the runway, using a paintbrush and our St. Tropez Body Butter, we created Wet Look Skin by applying to the front of the limbs and down the length of the arms. It was a brilliant technique that felt incredibly session based - by far my favourite!
London
Show: Roksanda Ilincic A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
This was our second Roksanda show, and after the success of last season, the team and I were eager to come up with another cool creation.
My brief from Roksanda was that the collection was super polished, Luxurious, having a 1940's influence was very apparent. The colour pallet was very luxurious which included gold, navy and aubergine. We wanted to keep it youthful fresh and modern so opted for a lived in contemporary hair texture. Recreating something retro would have made the overall mood look dated; we wanted the contrast to be quite extreme.
Dishevelled messy grungy buns were the agreed final look, with a contemporary slept in texture. We worked product into the hairline, enhancing the baby hairs around the hairline, working down onto the cheekbone, to create glossy 'sideburns'.
London
Show: Roksanda Ilincic A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
HOW TO GET THE LOOK: Spritz Charles Worthington Results Mussed Up Texturising Spray (£5.10) throughout dry hair working in with the fingers and teasing out flyaways at the hairline and around the face until fully dry. To matte out the texture, use a light mist of the Charles Worthington Front Row Salt Spray (£6.12) at the ends of the hair.
Use a flat brush and fingers to scrape the bulk of the hair into a ponytail. Taking the internal sections at the crown of the pony, gently back brush to create a suggestion of lift and texture...
London
Show: Roksanda Ilincic A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
Secure pony with an elastic and use the band to create a bun shape making sure to tighten as you pull it round so that it stays really contained. Using no more than 3-4 pins secure the bun whilst cupping in the palm of the hand for shape.
Apply more of the Charles Worthington Results Mussed Up Texturising Spray (£5.10) around the hairline and the sideburns and massage in Charles Worthington Front Row High Definition Crackle Wax (£6.12) to the roots to encourage a high shine finish at the roots
London
Show: Erdem A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
Working with Erdem is such a privilege, myself and my entire team really look forward to creating looks for such a well know name in the fashion industry. We arrive at The White Cube gallery in Bermondsey, London at 11am, 3 hours before show time. The venue is so cool, modern and minimal, it seems the perfect setting to launch the new collection which I felt had a futuristic quality to it.
The brief was to create a look which reflected this, so we wanted the hair to look super luxe, healthy, shiny, clean and minimal. There was a strong architectural reference throughout the collection which was apparent in the building, so the hair had to mirror this, so we kept it very symmetrical.
Strong centre partings was key, and we swept the models locks into low slung pony tails, securing with small cute bows at the nape of the neck. The bows add to the architectural influence by keeping the hair contained and neat, whilst adding a soft feminine quality to the hairstyle.
London
Show: Erdem A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
Hair was prepared with new product we we're trailing backstage, the new CW Elixir Oil. Perfect for locking in moisture, reflecting the shine of the lighting and repairing any damage to the ends. Best applied by using two pumps and massaging into mid lengths and ends, massaging into hair with the thumbs.
We had 27 models to perfect, so there was no time for mistakes. It makes our practice session the day before the show worthwhile so the entire team can crack on with creating the looks in no time at all.
Once the girls are backstage in the line up, I am there to add finishing touches and ensure each girl looks flawless, there shouldn't be a flyaway or strand out of place. Consistency is key for a successful show. Then using a little elixir oil to enhance the shine of the ends of the pony tails was a final step before walking the runway.
London
Show: Erdem A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
HOW TO GET THE LOOK: Prep hair with Charles Worthington Sensitive Ultra Soothing Detangler Spray (£5.10) to ensure hair is totally smooth and knot free. Work a pump of the new Charles Worthington Hair Elixir (launching October 2012) through the mid lengths to ends by using the thumb and forefinger in pinching upward motions for sleekness and mirror-like shine. Using a pin tail comb, brush back and create a defined centre parting from the forehead to the crown...
London
Show: Erdem A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
Section the hair from the nape of the neck and working upwards, blow dry each individual section with a round bristle brush until the hairline. Use a nozzle and high heat to smooth the surface cuticles from root to tip. Spray Charles Worthington Front Row Heat Defence Spray (£5.10) into the hands an coat from mid-lengths to ends to protect hair that and with hair straighteners, iron out from the mid lengths to the ends, using the straightener to gently tuck the hair under.
Use a flat bristle brush and bring all hair into a low pony by the nape of the neck. For any fly-aways on the parting, smooth a tiny amount of the Charles Worthington Hair Elixir (launching October 2012) onto the hair with the palm of the hand...
London
Show: Erdem A/W 2012, hair by Charles Worthington
Reporting for GLAMOUR.com: Marc Trinder for Charles Worthington
Finish by covering the hair elastic with a ribbon for a cute bow that offsets the sleekness of the ponytail.
PRODUCTS: Charles Worthington Sensitive Ultra Soothing Detangler Spray (£5.10); Charles Worthington Front Row Heat Defence Spray (£6.12); Charles Worthington Hair Elixir (launching October 2012)
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
London Fashion Week is my favourite of all the Fashion Weeks across the world…
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
...Especially with the current financial climate, New York tended to be more conservative and safe while London, in true British form, took the opportunity to make the most of fashion being its creative outlet and continued to push in new directions.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
...The run up to LFW is pretty exciting filled with planning meetings with designers, hair tests and model castings.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
…The day of the shows the whole team will meet at the studio, Kennaland, before for a run-through.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
...That way we can all see how the hair will look before we get down to the show venue. Once we get backstage it can be a pretty high-stress, high-tension environment so I rely heavily upon my team and I can really trust them.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
...Everyone's equal when we're doing the hair - it's about collaboration.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
…Sometimes I'll be doing a girl's hair and it's not working for one reason or another so I'll move on and let someone else take over.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
...I used to be a control freak, but at the end of the day the look suffers if you're like that.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
David Koma was my favourite A/W12 show because I was able to pull elements directly from his collection.
Show: David Koma A/W 2012, Basso and Brooke A/W 2012, Jean-Pierre Braganza A/W 2012 and Fyodor Golan A/W 2012: hair by ghd
Reporting for GLAMOUR.com: Kenna, ghd’s Creative Director
The big beautiful eyelet we used as a custom ponytail piece and the greyhound reference, its elegant sleek powerful form translated into the hair through the low masculine parting and the feminine curve of the head.
Rex FeaturesShow: Moncler A/W 2012, Paris Fashion Week, make-up by M.A.C
Reporting for GLAMOUR.com: M.A.C Senior Artist Pablo Rodriguez
The look that Val Garland designed for Moncler was a mix of Catherine Denueuve, Verushka and Divine. The models had intricate black eye-liners; all with different shapes, with two sets of false lashes layered on the top lashes, and painted black lashes coming out from the liner. The product used was M.A.C Fluidline Blacktrack, and it was highlighted in the gaps with M.A.C Iridescent Powder in Sliver Dusk. The cheekbones were defined with the new M.A.C Sculpting Cream in Walnut. And the lips were kept peachey nude with M.A.C Lipstick Myth.
